MAGICAL REALISM IN NEIL GAIMAN’S THE OCEAN AT THE END OF THE LANE NOVEL
DOI:
https://doi.org/10.30872/jbssb.v5i2.3896Keywords:
magical realism, characteristics, literary techniques, roleAbstract
This research discusses magical realism in Neil Gaiman’s The Ocean at the End of the Lane. The purposes of this research are to find out the characteristics and literary techniques and to explain the role of magical realism that is portrayed in the novel. This research uses theories of characteristics of magical realism by Wendy B. Faris and literary techniques and role of magical realism by Anne C. Hegerfeldt. The method that is applied is descriptive qualitative and the approach is post-structuralism. The data are obtained from the dialogues and narrations that relate to the topics that are being analyzed. The result of the analysis shows that the five primary characteristics of magical realism are found in the novel like the irreducible elements of magic, unsettling doubts, phenomenal world, merging realms, and disruption of time/space/identity. It also shows that the five basic literary techniques of magical realism are represented within the novel such as the adaptation of other genres and modes, magical realist focalizer, paradigm of knowledge, strategies of destabilization, and techniques of literalization. The result also shows the role of magical realism that is portrayed through the influence of magical phenomena in the narrator/protagonist’s life.
References
Ade, Olaofe Isaac. An Introduction to Literature. Lagos: National Open University of Nigeria, 2018. PDF File.
Bowers, Maggie Ann. Magic(al) Realism: The New Critical Idiom. London: Routledge, 2004. PDF File.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt University Press, 2004. PDF File.
Gaiman, Neil. The Ocean at the End of the Lane. London: Headline Publishing Group, 2013. Ebook.
Griffith, Kelley. Writing Essays About Literature: A Guide and Style Sheet. 2nd Ed. USA: Harcourt Brace Jovanovich, 1982. Print.
Hegerfeldt, Anne C. (Costerus New Series 155) Lies that Tell the Truth: Magical Realism Seen through Contemporary Fiction from Britain. Amsterdam: Rodopi, 2005. PDF File.
Kaelan. Metode Penelitian Kualitatif Interdisipliner. Yogyakarta: Paradigma, 2012. PDF File.
Downloads
Published
Issue
Section
License
![]()
Every work in Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).