THE PRINCIPLES BEHIND SOCIALIST FEMINISM MOVEMENT THROUGH THE FEMALE CHARACTERS IN CHERRY ORCHARD DRAMA

Authors

  • Maria Komang Ayu W. English Departement, Faculty of Cultural Studies Mulawarman University
  • Satyawati Surya English Departement, Faculty of Cultural Studies Mulawarman University
  • Chris Asanti English Departement, Faculty of Cultural Studies Mulawarman University

DOI:

https://doi.org/10.30872/jbssb.v6i2.6720

Keywords:

socialist feminism, principles, female characters, Cherry Orchard, drama

Abstract

This research analyzes the principle behind the socialist feminism movement through the female characters in Cherry Orchard drama. Socialist feminism becomes the struggle to get equal in social and economic. This research classifies the female characters into four principles behind the socialist feminism movement, that uses the socialist feminism theory by Mandell. This research uses the qualitative-descriptive method to analyze the principles behind socialist feminism through the four female characters' experiences in Cherry Orchard drama. There are four principles behind the socialist feminism movement those are women’s position, women’s rights, women’s role, and women’s participation.

References

Altay, Saadet. Patriarchy and Women’s Subordination: A Theoretical

Analysis. Şarkiyat 11.

Austin, Gayle. Feminist theories for dramatic criticism. University of Michigan

Press, 1990.

Best, Resham Bahadur. Research procedure: An introduction. Journal of NELTA

Surkhet 4 (2014): 34-40

Connell, Ruth. Socialist-Feminist Theory: An Appraisal. Australian

Left Review 1.68 (1979).

Griffith, Kelly. Writing Essays about Literature: A Guide and Style Sheet. 8th Ed.

USA: Cengage Learning, 2011.

Hall, Rebecca Jane. Feminist strategies to end violence against women.

The Oxford handbook of transnational feminist movements (2015).

Jokinen, Kimmo, and Marjo Kuronen. Wellbeing of families in future Europe-

challenges for research and policy. Familyplatform families in Europe.

Research on families and family policies in Europe major trends.1 (2011): 13-118.

Kawulich, Barbara B. Participant Observation as a Data Collection Method.

Forum Qualitative Sozialforschung. 2005.

Kenney, Sarah. Laura Moon Kim ed. The Cherry Orchard Characters.

GradeSaver, 2005.

Literary Devices Editors. Metaphor LiteraryDevices.net. 2014.

Mandell, B., & Pherwani, S. Relationship between Emotional Intelligence and

Transformational Leadership Style: A Gender Comparison. Journal of

Business and Psychology, 17, 387-404. 2003.

Sultana, Abeda. Patriarchy and Female s Subordination: A Theoretical

Analysis. Arts Faculty Journal (2010): 1-18.

Tyson, Lois. Critical Theory Today. 2006.

Utomo, Wahyu. Gender inequality in Fatima mernissi’s novel Dreams of

Trespass (1994): a socialist feminist approach.Universitas Muhammadiyah Surakarta, 2011.

Wasley, Sasha Darlene. The limits of feminism. Diss. Murdoch University, 2005.

Downloads

Additional Files

Published

2022-04-23

Issue

Vol. 6 No. 2 (2022): April 2022

Section

Articles

License

Every work in Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

 

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.

 

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).