EMOTION OF DOMINANCE DEPICTED BY AMY ELLIOT DUNNE OF "GONE GIRL" FILM
DOI:
https://doi.org/10.30872/jbssb.v4i3.2891Keywords:
Literature, Culture StudiesAbstract
ABSTRACT
The purposes of this research were to find the dominance emotion and the ideal characteristics for woman based on radical libertarian feminism perspectives in the character of Amy Elliot Dunne of Gone Girl film. This research was categorized as descriptive qualitative research and used content analysis approach. The researchers used Gone Girl (2012) film and its film script as the sources of data. The data were taken from the narrations, monologues and dialogues of Amy and other characters that indicating Amy’s dominance emotion and her characteristics and compared with the ideal characteristics for woman based on radical libertarian feminism perspectives using Marston D.I.S.C. theory and radical libertarian feminism theory. The findings reveal that Amy indeed posseses dominance emotion that makes her as an androgyny to overcome her bad experiences and her characteristics fulfill the ideal characteristics for woman according to radical libertarian feminists. The film showed that Amy presented a woman who no longer became the inferior group in the society and can be free in the male-ruled realm by having status, education, and money which are the purposes of radical libertarian feminism. However, the researchers came to the conclusion that she does not fit to be a role model of radical libertarian feminism as she originally created as a villain character of the film that she presented her bad behavior at some point through the film.
ABSTRAK
Tujuan dari penelitian ini adalah untuk menenemukan emosi dominan dan karakteristik-karakteristik ideal untuk wanita berdasarkan pandangan para feminis radikal libertarian di dalam karakter Amy Elliot Dunne dari film Gone Girl. Penelitian ini dikategorikan sebagai penelitian kualitatif deskriptif dan menggunakan pendekatan analisa konten. Peneliti menggunakan film Gone Girl (2012) dan naskah filmnya sebagai sumber dari data. Data didapat dari narasi, monolog dan dialog dari Amy dan karakter-karakter lain yang mengindikasikan emosi dominan dari Amy dan hubungan karakternya dengan karakter ideal wanita berdasarkan pandangan feminis radikal libertarian menggunakan teori D.I.S.C Marston dan teori feminis radikal libertarian. Hasil penelitian menunjukkan bahwa Amy benar memiliki emosi dominan yang membuatnya sebagai seorang androgini, hal itu untuk melawan pengalaman-pengalaman buruknya, dan karakteristiknya tersebut membuatnya memenuhi kriteria ideal untuk wanita menurut feminis radikal libertarian. Film Gone Girl menampilkan Amy sebagai wanita yang bukan merupakan golongan inferior di masyarakat dan juga ia sebagai wanita yang merdeka di dalam dunia yang didominasi pria dengan memiliki status, berpendidikan, dan harta yang merupakan tujuan dari feminis radikal libertarian. Akan tetapi, peneliti mengambil kesimpulan bahwa karakter Amy tidak layak untuk dijadikan sebagai panutan yang mewakili feminis radikal libertarian dikarenakan Amy pada dasarnya diciptakan sebagai tokoh jahat dalam film yang menampilkan perilaku menyimpangnya sampai pada poin tertentu di dalam film.
References
Ade, Olaofe Isaac. An Introduction to Literature and Literary Criticism. Victoria Island: National Open University of Nigeria, 2008. Pdf.
Bem, Sandra L. “The Measurement of Psychological Androgyny.” Journal of Consulting and Clinical Psychology 42.2 (1974): 155-162. Pdf.
Boggs, Joseph M., and Dennis W. Petrie. The Art of Watching Film. 7th ed. New York: McGraw-Hill, 2008. Pdf.
Carter, David. Literary Theory. Britain: Cox & Wyman Reading, 2006. Pdf.
Denzin, Norman K., and Yvonna S. Lincoln. Handbook of Qualitative Research. Thousand Oaks: Sage Publications, 1994. Print.
Flynn, Gillian. Gone Girl. Los Angeles: Twentieth Century Fox, 2013. Pdf.
Fraenkel, Jack R., and Norman E. Wallen. How to Design and Evaluate Research in Education. 7th ed. New York: McGraw-Hill, 2007. Pdf.
Gone Girl. Screenplay by Gillian Flynn. Dir. David Fincher. Perf. Ben Affleck, and Rosamund Pike. Twentieth Century Fox, 2014. Film.
Griffith, Kelly. Writing Essays about Literature: A Guide and Style Sheet. 8th ed. Canada: PrePressPMG, 2011. Pdf.
Hooks, Bell. Preface. Feminism is For Everybody: Passionate Politics. By Hooks. Canada: South End Press, 2000. Pdf.
Klarer, Mario. Introduction to Literary Studies. New York: Routledge, 2005. Pdf..
Marston, William Moulton. Emotions of Normal People. London: The Devonshire Press, 1928. Pdf.
Marston, William Moulton, C. Daly King, and Elizabeth H. Marston. Integrative Psychology: A Study of Unit Response. London: The Devonshire Press, 1931. Pdf.
Rokhmansyah, Alfian. Pengantar Gender dan Feminisme: Pemahaman Awal Kritik Sastra Feminisme. Yogyakarta: Garudhawaca, 2016. Print.
Rokhmansyah, Alfian, Irma Surayya Hanum, Dahri D. “Calabai dan Bissu Suku Bugis: Representasi Gender dalam Novel Calabai Karya Pepi Al-Bayqunie”. CaLLs (Journal of Culture, Arts, Literature, and Linguistics), 4.2 (2018): 89-102. Pdf.
Rosenheim, Edward W. What Happens in Literature. Chicago: University of Chicago Press, 1960. Web.
Tong, Rosemarie. Feminist Thoughts: A More Comprehensive Introduction. 3rd ed. Colorado: Westview Press, 2009. Pdf.
Woodhill, Brenda Mae, and Curtis A. Samuels. “Desirable and Undesirable Androgyny: A Prescription for the Twenty-First Century.” Journal of Gender Studies 13.1 (2004): 15-28. Pdf.
Downloads
Published
Issue
Section
License
![]()
Every work in Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).