Hibriditas Damarwulan oleh Kelompok Keham Balai Tambek di Desa Lebak Cilong
DOI:
https://doi.org/10.30872/jbssb.v9i3.23025Abstract
Pertunjukan teater tradisional Damarwulan oleh Kelompok Keham Balai Tambek di Desa Lebak Cilong, Kutai Kartanegara, Kalimantan Timur, merepresentasikan bentuk kesenian lokal yang memadukan unsur Mamanda Kutai. Fenomena ini mencerminkan proses hibriditas budaya sebagai hasil pertemuan dan percampuran dua identitas budaya berbeda. Penelitian ini bertujuan mengidentifikasi dan menganalisis proses hibriditas dalam pertunjukan Damarwulandari aspek naratif, musikal, dan visual, dengan menggunakan perspektif teori hibriditas budaya Homi Kharshedji Bhabha. Metode yang digunakan adalah kualitatif dengan studi kasus, melalui observasi, wawancara mendalam, dokumentasi, dan studi pustaka. Hasil penelitian menunjukkan adanya adaptasi naratif yang memasukkan elemen lokal Kutai, penggunaan instrumen tradisional seperti babon dan piul yang dipadukan dengan vokal, serta strategi visual yang memadukan unsur dua tradisi. Pertunjukan ini menjadi ruang negosiasi identitas budaya masyarakat Kutai sekaligus contoh seni pertunjukan tradisional yang membentuk identitas budaya secara dinamis dan dialogis di tengah masyarakat multikultural.
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