BLACK SITUATIONAL COMEDIES: A LEGACY OF STEREOTYPES, IDEOLOGY, AND HEGEMONY

Authors

  • Donald Morgan Faculty of Liberal Arts and Professional Studies; York University

DOI:

https://doi.org/10.30872/calls.v2i2.695

Abstract

The purpose of this essay is to outline re-occurring archetypes that are found within the confines of “Black Sitcoms”. This essay demonstrates how these archetypes perpetuate negative stereotypes about teenage, African American males, under the guise of comedy and entertainment. This is accomplished by introducing the two most utilized archetypes that represent the black, teenaged, male which are prevalent in black sitcoms, along with examples of said archetypes. In doing so, this article also demonstrates a dichotomy between these two character types, in an attempt to highlight disturbing acceptance of certain media narratives about the African American community. Furthermore, explanations are provided as to how each archetype preys upon negative stereotypes and sociological taboos within the African American community, which results in negative impacts on the social consciousness of the African American community. What is more, this essay examines the negative ideology and subsequent hegemony that these television shows produce. Finally, I conclude with my own thoughts, regarding these issues.

Keywords:   African American, situational comedies, archetype, ideology, hegemony, stereotypes

Author Biography

  • Donald Morgan, Faculty of Liberal Arts and Professional Studies; York University
    Department of Humanities
    Faculty of Liberal Arts and Professional Studies
    York University

References

-. User Ratings for The Fresh Prince of Bel Air. 1990-2016. 23 October 2016. <http://www.imdb.com/title/tt0098800/ratings>.

Family Matters. Dirs. William Bickley and Michael Warren. Perf. Steve Urkel and Eddie Winslow. 1989-1998. Television Show.

Kitzmann, Andreas. "Ideology and Hegemony." Introduction to Culture. Toronto: York University, 2016.

Lee, F.R. "Precious Spawns Racial Debate: She's 'Demeaned' or 'Angelic'." New York Times (2009). Magazine Article.

Leonard, David J and Lisa Guerrero. African American on Television: Race-ing for Ratings. Santa Barbara, California: Praeger, 2013. Book.

National, ABC Radio. Marshall McLuhan: The Medium is The Message. 27 June 1977. 23 October 2016. <https://www.youtube.com/watch?v=ImaH51F4HBw>.

Ranker. TV Shows Most Loved By African Americans. 2016. Webpage. 23 October 2016. <http://www.ranker.com/list/tv-shows-most-loved-by-african-americans/ranker-tv?format=GRID&page=1&action=tab&type=demographics>.

Terrace, Vincent. Television Character and Story Facts: Over 110,000 Details from 1008 Shows 1945-1992. McFarland & Co.Inc., 1993. Book.

The Cosby Show. Dir. Carsey-Werner. Perf. Theodore Huxtable. 1984-1992. Television Show.

The Fresh Prince Bel Air. By Andy Borowitz and Susan Borowitz. Perf. Will Smith and Carlton Banks. NBC Productions. 1990-1996. Television Show.

Tropes, TV. Archetypal Character. 2015. Webpage. 23 October 2016. <http://tvtropes.org/pmwiki/pmwiki.php/Main/ArchetypalCharacter>.

Wilkerson, I. "Black Life on TV: Realism or Stereotypes." New York Times (1993): H1.

Downloads

Published

24-02-2017

How to Cite

BLACK SITUATIONAL COMEDIES: A LEGACY OF STEREOTYPES, IDEOLOGY, AND HEGEMONY. (2017). CaLLs (Journal of Culture, Arts, Literature, and Linguistics), 2(2), 25-34. https://doi.org/10.30872/calls.v2i2.695