Kesepadanan Pragmatik Dark Humor Pada Serial TV “Family Guy”
DOI:
https://doi.org/10.30872/jbssb.v8i2.14798Abstract
Artikel ini bertujuan untuk mengidentifikasi kesepadanan pragmatik pada dark humor dalam penerjemahan takarir dalam serial TV Family Guy. Penelitian ini menggunakan teori kesepadanan pragmatik oleh Mona Baker. Metode deskriptif, komparatif, dan interpretatif digunakan untuk menganalisis data dalam penelitian ini. Pengumpulan data dilakukan dengan menggunakan teknik simak dan catat. Data untuk penelitian ini berupa dark humor berbentuk takarir dalam Bahasa inggris dan Bahasa Indonesia yang didapatkan pada episode-episode dari season terakhir serial TV Family Guy yang dapat ditonton melalui website Disney+ Hotstar. Penelitian ini menemukan beberapa jenis dark humor dari episode-episode pada season akhir serial TV Family Guy, dan ditemukan pula penerjemah melakukan beberapa teknik penerjemahan dalam menerjemahkan dark humor Bahasa inggris ke Bahasa Indonesia, teknik penerjemahan ini dilakukan agar hasil terjemahan sesuai dengan kebudayaan yang berada di Indonesia. Hal ini membuat penyampaian pesan berhasil dipindahkan dari Bahasa target ke dalam Bahasa sasaran, namun karena ini pula, dark humor yang terdapat dalam Bahasa inggris tidak dapat disampaikan secara penuh ke dalam Bahasa Indonesia.
References
Agung, I. G. A. M. (2021). Humor Subtitling in Stand-Up Comedy Raditya Dika. Prosiding Seminar Nasional Linguistik Dan Sastra (SEMANTIKS), 59–68. https://jurnal.uns.ac.id/prosidingsemantiks
Baker, M. (2018). In other words : a coursebook on translation (3rd ed.). Routledge.
Bucaria, C. (2008). Dubbing Dark Humour: A Case Study in Audiovisual Translation. Lodz Papers in Pragmatics, 4(2), 215–240. https://doi.org/10.2478/v10016-008-0014-2
Bucaria, C., & Barra, L. (2016). Taboo Comedy on Television: Issues and Themes. In Taboo Comedy: Television and Controversial Humour (pp. 1–18). Palgrave Macmillan.
Catford, J. C. (1965). A Linguistic Theory of Translation. Oxford University Press.
Darmawati, D., & Sajarwa, S. (2022). Pragmatic Equivalence of Expressive Speech Act in Television Series Bridgerton. LITE, 18(1), 43–53. https://doi.org/10.33633/lite.v18i1.5630
Dundes, A. (1987). At Ease, Disease—AIDS Jokes as Sick Humor. American Behavioral Scientist, 30(3).
Hatim, B., & Mason, I. (1997). The Translator as Communicator. Routledge.
House, J. (2018). TRANSLATION THE BASICS. Routledge.
Liani, G. (2022). Makna Humor Sarkasme yang Ada di Teks Sumber Berbahasa Inggris dan Teks Sasaran Berbahasa Indonesia dalam Film Borat. Deskripsi Bahasa, 5(2), 103–110. https://doi.org/10.22146/db.v5i2.5722
Lutviana, R., & Mafulah, S. (2017). Preserving Humorous Effects in a Target Language: Challenges in Translating Culturally Loaded Expressions. Jurnal Pendidikan Humaniora, 5(4), 159–164. http://journal.um.ac.id/index.php/jph
Martin, G. N. (2021). The Psychology of Comedy. Routledge. https://doi.org/10.4324/9780429347269
Newmark, P. (1988). A Textbook of Translation. Prentice HaH International vUIO Ltd.
Wahyudi, W., Nababan, M. R., & Wiratno, T. (2017). ANALISIS TERJEMAHAN TINDAK TUTUR MEMUJI (COMPLIMENT) PADA SUBTITLE FILM TWILIGHT SERIES DAN KUALITAS TERJEMAHANNYA. PRASASTI: Journal of Linguistics, 2(1), 134. https://doi.org/10.20961/prasasti.v2i1.1376
Yuliasri, I. (2016). Translation Techniques and Pragmatics Equivalence in Indonesian Translation of Humorous Utterance in The Walt Disney’s Donald Duck Comics. INTERNATIONAL SEMINAR PRASASTI III : CUrrent Research in Linguistics, 409–414. https://doi.org/https://doi.org/10.20961/pras.v0i0.1554
Downloads
Published
Issue
Section
License
![]()
Every work in Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).